A handful of monitor and hologram comps I did at Cantina Creative for the film Black Adam.
Some of the almost 200 VFX shots I worked on as part of the Bloodshot in-house team over on the Sony lot.
A small handful of the more than 100 VFX shots I completed for the film The Darkest Minds. I was also involved in the postvis phase of the film, where I worked on several hundred more shots.
Compilation of the work I did for the film Alpha Alert. I worked as an on-set VFX Supervisor, compositor, and designer on this. Work included set extension, particle animation, comp, news graphics, UI design, and monitor comps.
Lead in-house compositor and motion graphics artist on the film Allegiant. Completed over 200 postvis shots, and around 40 finals.
Worked as an in-house compositor on G.I. Joe: Retaliation doing postvis, and then later as the VFX supervisor for my company at the time, SaintsLA, for some of the finals.
I did most of the FX, animation, and compositing for this, minus the white room stuff. This was a music video from season 3 ep. 4 of the YouTube series Side Effects, produced by AwesomenessTV.
In-house compositor work doing postvis and finals for RED 2.
RED was my first feature film. I worked as the in-house compositor, and then later as the VFX supervisor for my company at the time, SaintsLA.
X-Japan pachinko in-game video I did on-set VFX supervision for, and also a lot of the compositing and effect work. The video above played when the gamer won. There were two other endings we did as well that would play depending on the outcome of the game. Only had about 5 actual ninjas on set, so we did quite a bit of crowd replication. Some of my earliest work in compositing.
Compilation of VFX and motion graphics I designed and animated for the the Science Channel’s show, Through the Wormhole. Created for Engine Room Hollywood.
Design, VFX, and animation work I did for the documentary film The Principle.
Designed and composited on-stage graphics for some of Paul McCartney’s shows in 2013. Worked with the amazing CGI artist Harry Paakkonen, on this. Produced in conjunction with Andee Kuroda at Blue Candy.
Kodak commercial I did compositing and on-set VFX supervising for. Took multiple takes of motion control footage and combined to tweak the shape of the ink. Also did rig/wire removal from the wallet gag, and paper comp with printer at end.
Designed and composited on-stage graphics for their Godsmack Oracle world tour.
Designed and composited the No Matter What music video for Heavy D. Couldn’t have been a nicer client. RIP Hev.
